Rca Records
Rca Records
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| Gary Stewart Gary RCA ahl1 3288 1979 LP PROMO | |
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| The Tokens Re Doo Wopp RCA Stereo cut outfeaturing Mitch Margo 1988 | |
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$6.99 Time Remaining: 31m |
| RCA 2997 Rubinstein Giulini Schumann Piano Cto | |
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| DELLA REESE SPECIAL DELIVERY LP RCA LSP 2391 | |
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| Fats Walker Fats RCA Victor 45 EP EPFT 6001 NM | |
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| Duke Ellington Seattle Concert RCA Victor 45 EP EJC | |
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| EDDY ARNOLD Somebody Like Me 1966 Stereo RCA LP | |
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| Beethoven Emperor Concerto RCA Records D 16411 | |
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| Eugene Fodor Showpieces 1974 recording RCA ARL1 0735 LP | |
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| Perez Prado Mambo Mania 1st RCA Press Fair CLEAN lpm 1075 | |
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| RCA 3053 Van Cliburn Chopin Sonatas 2 3 NM | |
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$2.63 (3 Bids) Time Remaining: 36m |
| LEONARD WARREN The Great Hits Of A Great Baritone SEALED LP RCA promo album | |
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| Vintage RCA Victor Presents Eartha Kitt Extended Play 45 EPB 3062 | |
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| RCA Victor 6503 Babs Floyd Giggle Box Do You Love Me | |
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| RCA 3071 Ozawa Tchaikovsky Sym No 5 NM | |
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| ALLEN TOUSSAINT sealed Wild Sound of New Orleans RCA LP first solo by writer pro | |
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| HOLY MOSES RARE LP UK PRESSING RCA EX | |
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$6.32 (6 Bids) Time Remaining: 41m |
| Twelve Days of Christmas LP SEALED 1965 RCA PRS 188 Var | |
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| BUDGIE UK RCA 7 picture disc 45 KEEPING A RENDEZVOUS | |
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| VAN CLIBURN my favorites chopin 1961 rca lp | |
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| company sleeve RCA GOLD STANDARD STYLUS | |
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| Boots Brown 78rpm RCA Victor 20 5110 Block Buster | |
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| RCA 3151 Almeida Schmitt Chausson Duparc works NM | |
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| HERBERT VON KARAJANBRAHMS RARE RCA LIVING STEREO LSC 2537 LP | |
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| RCA 1621 Schumann Violan Clarinet chamber works NM | |
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| ELVIS PRESLEY ULTRA RARE PROMO ITEM FOR COSTUMERS 12 LP RCA ITALIANA | |
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| 1948 AD RCA Victor radio and record console 66XI and 77U models advertising | |
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| Illinois Jacquet 7 EP Black Velvet RCA Victor 3236 PS | |
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| RCA 3912 Perlman Prokofiev Violin Sonatas NM | |
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$2.50 (3 Bids) Time Remaining: 52m |
| RCA Victor LM 2112 Vienna Reiner Chicago Original Mono Picture Book Album | |
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| JOSE FELICIANO THAT THE SPIRIT NEEDS RCA 1971 | |
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| Glenn Miller Vintage RCA Victor Boxed Set Of 45 RPM Records | |
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| ARTUR RUBINSTEIN Two Great Romantic Favorites SEALED RCA Red Seal promo LP | |
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| RCA 4008 Peter Serkin Beethoven Violin Cto arr for Piano NM | |
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| JERRY REED East Bound And Down RCA Gold Standard 11986 | |
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| LEONARD PENNARIO debut rca records 1963 lp | |
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| 1948 AD RCA Victor Records Tony Martin Count Basie The Three Suns advertising | |
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| PERRY COMO Saturday Night With Mr C LP VG+ RCA | |
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| SEALED LP RCA Victrola mono promo TOSCANINI Beethoven Ninth Symphony | |
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| DARYL HALL JOHN OATES Beauty On A Back Street NEAR MINT 1E 1E UK RCA +INNER | |
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| SEALED LP RCA Victrola mono promo GERALDINE FARRAR The Mets First Butterfly | |
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| RCA 1994 Guarnieri SQ Schubert Death and the Maiden NM | |
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| HALL AND OATES Same NEAR MINT 1E 1E RCA Victor PLUS INSERT Daryl John | |
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| The Living Strings Holiday For Two near mint RCA LP | |
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| PERRY COMO Comos Golden Records LP VG+ RCA Mono | |
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| FRIENDS OF DISTINCTION Friends People RCA VICTOR LSP 4492 LP | |
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| DARYL HALL JOHN OATES Rock N Soul Part 1 NEAR MINT Germany RCA + INNER | |
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| Don Gibson A Blue Million Tears LP sealed RCA CAS 853 65 Country | |
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| Cook E Jarr Pledging My Love LP M RCA 4159 69 Pop Soul | |
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| SEALED LP RCA Red Seal promo LEONTYNE PRICE Puccini Heroines Edward Downes | |
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| RCA 5100 Roger Woodward Shostakovich 24 Preludes 2LP NM | |
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| zubin mehta autograph 1965 first recording LP RCA Victor OOAK | |
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| JEFFERSON AIRPLANE SURREALISTIC PILLOW 1967 RCA VICTOR RECORDS LPM 3766 EXC VG+ | |
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| JIM ED BROWN FOOLS w HELEN CORNELIUS RCA promo NM | |
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| LP Sidney Bechet of New Orleans RCA Vintage LPV 510 NM | |
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| Hosa 1 4 to RCA 8 Channel High Definition Recording Snake | |
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| WAYLON JENNINGS IVE ALWAYS BEEN CRAZY 1978 LP RCA 2979 | |
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| NORTHERN 45 THE BARONS SINCE YOURE GONE RCA PROMO | |
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| Diana Ross 45 RPM Record Why Do Fools Fall In Love RCA | |
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| Darrell Glenn In The Chapel In The Moonlight Once Only Once 45 RPM RCA Victor | |
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| RCA 1838 Ormandy Philadelphia Tchaikovsky Sym 4 6 3LP NM | |
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| JOHN MCCORMACK IN OPERA AND SONG LP CAL 512 RCA CAMDEN | |
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| PERRY COMO Seasons Greetings From LP VG+ RCA 1959 | |
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| The Four Clefs 78rpm RCA Victor 20 2072 Dig These Blues | |
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| FIDDLER ON THE ROOF Original Cast NM NM RCA LP 1966 | |
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| Gounod Faust Complete RCA Red Seal LM 6400 1st label | |
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| PERRY COMO We Get Letters LP RCA Mono | |
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| ARTUR RUBINSTEIN MOZART Concertos 21 23 RCA LSC 2634 SD 2S 4S Stereo NM | |
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| 78RPM RCA Victor Woodhulls Old Tyme Masters | |
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| 78RPM RCA Victor Bill Dickinsons Tuxedo Colonels | |
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| 45 New Regime Seduction Beat that drum RCA Canada NM | |
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| 45 RECORD RCA NOT FOR SALE LABEL BOBBY BARE LOOK WHO IM CHEATING ON TONIGHT B | |
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| Daryl Hall John Oates Private Eyes LP RCA AFL14028 VG+ | |
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| John Gary Ashamed She Wasnt You RCA Promo 47 8731 teen | |
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| UDO ANIMAL HOUSE 1987 RCA RECORDS CASSETTE | |
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| RCA 2633 Horowitz Ormandy Rachmaninoff Cto 3 live | |
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| Gretchen Cryer Nancy Ford LP CRYER FORD RCA 1975 | |
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| Little Black Sambo Rca Victor Bluebird Childrens Records | |
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| DEL WOOD RCA LPM 1129 DOWN YONDER ORIGINAL US PRESSING IN MONO 1958 | |
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| GNIDROLOG In spite of Harrys toenail RCA SF 8261 Rare | |
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| Sealed LP Remembering Christmas Big Bands Coco Cola RCA | |
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| ARTUR RUBINSTEIN MOZART Concerto No 20 RCA LSC 2635 SD 1S 5S Stereo NM | |
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| JESSE BELVIN RCA 7675 The Door Is Always Open RB 45 | |
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| DARYL HALL JOHN OATES Bigger Than Both Of Us NEAR MINT 2E 2E UK RCA + INNER | |
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| DARYL HALL JOHN OATES Live At Apollo NEAR MINT A1 B2 Germany RCA + INNER | |
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| VG++ LP BUDDY RICH In London Recorded Live At Ronnie Scotts RCA 1972 | |
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| ELVIS PRESLEY 1956 ORIG 78 RPM RECORD LOVE ME TENDER RCA VICTOR RARE VINTAGE | |
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| COMPANY SLEEVE RCA RED GOLD DATED 1969 | |
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| ELVIS PRESLEY 1957 ORIG 78 RPM RECORD TOO MUCH PLAYING RCA VICTOR RARE VINTAGE | |
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| DAVID BOWIE Changesonebowie M EX 1976 RCA LP | |
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| Vinyl LP A Country Christmas 4 RCA 7012 SEALED | |
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| GEORGE BEVERLY SHEA HOW GREAT THOU ART RCA LP | |
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| REINER CONDUCTS WAGNER RCA Living Stereo Shaded Dog LP | |
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| Robert Merrill sings SONGS YOU LOVE RCA Victor 4 record set 10 78 RPM | |
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| VICKY LANE I Swing For You 59 RCA Stereo Jazz Vocal LP | |
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| MARIACHI VARGAS DE TECALITLAN 1983 LP RCA 57236 | |
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| HOUSE OF LORDS S T 1988 RCAGreat | |
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| Chris Andrews mint promo 45 rpm Pretty Belinda on RCA | |
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| ELVIS A LEGENDARY PERFORMER VOLUME 2 RCA CPL 1 1349 1976 | |
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| ELVIS PRESLEY RCA 1227 LONELY MAN LONDON 45 RECORD | |
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How do I hear playback on my computer after hooking rca cable to turntable?
Hi I have my computer hooked up to my stero reciever which is playing a record ,by hooked up I mean rca wire hooked to earphone jack on the stereo to mic jack on computer.What do I do to hear the record playing back on my computer?
You need to connect the line or tape out from the receiver to the line in on the computer (not mic in).
Once you do that, you would open up the audio control and enable the line in.
Ke$ha - Blow
Record Contracts
A contract of registration (also known as a record) is a legal agreement between a label producer and an artist (or group) wherein the artist makes a record (or a series of documents) for the label to sell and promote. Artists under contract are normally exclusive to the label only, but in some cases where there is an invitation for their artist to record with another artist from a different label company, a notice of "courtesy of (name on the label)" is marked on the product and the artist’s producers are then paid with a percentage of the revenues. Label companies are usually the holders of the copyright of the recordings of their artists, and also the master copies of the same. One exception is if the artist has a recording for distribution with another artist. In this case, the artist or his manager may become the copyright holder while the artist is on the label for such period of time. The promotion is an essential factor for the success of a record, and has become a big part of the responsibility of the label company, as well as in the proper distribution of the said recording.
Although the initial release usually yields a relatively small percentage to the copyrights of artists, it also has its potential benefits or advantages. A few performers like Madonna, Michael Jackson and U2, have signed to several million dollar record contracts. Whitney Houston, for example, has the highest record in history after getting paid $100 million to record only five albums. For many other artists, the aid of press releases helps their albums exceed the previous targeted sales figures.
An artist may opt-out on the record contract if the label company’s popularity affects the release of their albums after the recording. Such was the case of Mariah Carey whose $80 million record contract with Virgin Records has been canceled from the label after her album was sold poorly by the company.
Unless otherwise stated, an artist on the label may be prepaid or paid in advance even if the recordings sell or do not. Capitol Records’ Linda Ronstadt, who performed in the early 1970s, still has a portion to collect with Capitol as discussed in 1960 even though Capitol has cost more than what she has done. (Her chain of visits in the mid-1970s has finally erased that debt). With little knowledge and the absence of a business or financial expert, don’t expect a benefit as an artist, as was the case of George Michael. "Walking out" to try a new record contract is a very difficult situation without the artist realizing it. The old records released by Donna Summer and the members of “Boston” (who called themselves "The Hunter Orion") were withdrawn from distribution after their previous label company made an appeal.
The Mamas and Papas were forced in a meeting years after its dissolution in 1968, for the writing of their contract record with Dunhill Records stipulated that their album was not yet completed (1971 “People Like Us”). Recording contracts in general, includes the increase in fees and the artistic freedom or engagement of signing new contracts with the record company of which is most usually the best direction for an artist. Sometimes, however, the artist will go where the opportunity seems better. Diana Ross for example, in 1980 with her album "Diana”, fulfilled her record contract with Motown Records. The album contained three Billboard pop hits; #1 single and two in the top twelve. Ross, however, felt that her work was never entirely done by Motown alone but with her work with The Supremes which was one of the largest in history. When RCA Records offered her a $20 million recording contract with them, Ross gave Motown a chance to match it, or at least give something optimistic.
Motown, in their conviction, maintained that Ross’ solo career was faltering at that time and sees no reason to give compensation for her work with The Supremes, although she was offered $3 million. Torn with the decision to stay loyal to the label which made her famous but has never really paid well or to sign a new recording contract with another company which gives her more value, Ross ultimately chose to go with the record company RCA.
About the Author
This is my take on this topic. I love doing this and I am extremely passionate about it. But if you want "Real" (yet free!) Expert Advice about this stuff that will make you a music industry success beyond your wildest dreams, then you have got to read some of the information put out by a guy named Ty Cohen, founder of the MusicBizCenter.com/blog. Sign up for his free materials and get more expert information on this topic from their site http://www.MusicContracts101.com. The materials they have on this topic are amazing and 99% better than anything else I've seen, including the paid ones!
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