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Jazz Sealed

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Jazz Sealed

Lillian Boutte Music is my Life KOREA CD SEALED
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JIMMY SMITH Im Gon Git Myself Together SEALED JAZZ LP
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Myrra Sweet Bossa KOREA CD SEALED RARE OBI
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BENNY CARTER 1967 MOVIETONE LP AUTUMN LEAVES SEALED
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T SQUARE Fantastic Story CD Sealed 299 Ship
	$14.49 Time Remaining: 1h 2m Buy It Now for only: $14.49 Buy It Now \| Add to watch list

The Mars Volta Amputechture CD Music Album Rock Jazz Brand NEW Sealed
	$10.12 Time Remaining: 1h 7m Buy It Now for only: $10.12 Buy It Now \| Add to watch list

NINA SIMONE ESSENTIAL ALBUM NEW SEALED 29 TRACK 3 CD WORLDWIDE FREE SHIPPING
	$28.46 Time Remaining: 1h 25m Buy It Now for only: $28.46 Buy It Now \| Add to watch list

LADIES OF JAZZ PEGGY LEEELLA FITZGERALDNINA SIMONESARAH VAUGHAN SEALED 3 CD
	$28.46 Time Remaining: 1h 26m Buy It Now for only: $28.46 Buy It Now \| Add to watch list

JACKIE McLEAN Makin the Changes New Jazz MINT FACTORY SEALED LP

$20.55
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JACKIE McLEAN Hipgnosis BLUE NOTE MINT FACTORY SEALED 2LP

$71.17
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ELVIN JONES Poly Currents BLUE NOTE MINT SEALED LP

$36.37
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BILL EVANS Conception NEW FACTORY SEALED Milestone 2LP

$36.37
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ALEX DE GRASSI Slow Circle MINT SEALED WINDHAM HILL LP

$12.64
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Massimo Salvagnini Quartet Very Fool CD SEALED
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SONNY CLARK Dial S For Sonny BLUE NOTE 1570 Sealed LP
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Stanley Jordan Flying Home Jazz LP SEALED
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Modern Jazz Quartet Three Windows Jazz LP SEALED
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Art BlakeyModern Jazz QuartetSEALED CDJazz Messenger
	$11.99 Time Remaining: 1h 47m Buy It Now for only: $11.99 Buy It Now \| Add to watch list

Various ArtistsSonny StittEddie HarrisSEALED CDHot
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Mose AllisonChris ConnerSEALED CDNighttime Jazz
	$9.99 Time Remaining: 1h 47m Buy It Now for only: $9.99 Buy It Now \| Add to watch list

Bobby Naughton Nauxtagram LP New Still Sealed Jazz
	$10.00 Time Remaining: 1h 52m Buy It Now for only: $10.00 Buy It Now \| Add to watch list

Enrico Pieranunzi Racconti Mediterranei CD SEALED OOP
	$18.99 Time Remaining: 1h 57m Buy It Now for only: $18.99 Buy It Now \| Add to watch list

Jean Luc Ponty Individual Choice Jazz LP SEALED
	$11.99 Time Remaining: 1h 58m Buy It Now for only: $11.99 Buy It Now \| Add to watch list

JIMMY OWENS Horizon AM SP 712 LP SEALED US 1976 orig
	$29.98 Time Remaining: 2h 2m Buy It Now for only: $29.98 Buy It Now \| Add to watch list

SEALED Bill Evans Trio with Symphony Orchestra by Bill Piano Evans CD Jul 1987
	$25.00 Time Remaining: 2h 4m Buy It Now for only: $25.00 Buy It Now \| Add to watch list

SEALED Still Life Talking by Pat Metheny GROUP CD Geffen BMG D 140079
	$25.00 Time Remaining: 2h 4m Buy It Now for only: $25.00 Buy It Now \| Add to watch list

DONALD BYRD Electric Byrd BLUE NOTE SEALED VINYL LP
	$12.00 Time Remaining: 2h 8m Buy It Now for only: $12.00 Buy It Now \| Add to watch list

WENDELL HARRISON Reawakening TRIBE Sealed LP
	$14.00 Time Remaining: 2h 8m Buy It Now for only: $14.00 Buy It Now \| Add to watch list

On 52nd Street by Marian McPartland Out of Print CD Savoy Jazz SEALED
	$12.99 Time Remaining: 2h 8m Buy It Now for only: $12.99 Buy It Now \| Add to watch list

EARL HINES Earl Fatha Hines RARE SEALED JAZZ LP
	$16.99 Time Remaining: 2h 9m Buy It Now for only: $16.99 Buy It Now \| Add to watch list

BUNKY GREEN Wynton Kelly DONALD BYRD My Baby SEALED CD
	$4.49 Time Remaining: 2h 22m Buy It Now for only: $4.49 Buy It Now \| Add to watch list

THAD JONES ECLIPSE SEALED PHAT JAZZ FUNK BREAKS LISTEN
	$34.99 Time Remaining: 2h 25m Buy It Now for only: $34.99 Buy It Now \| Add to watch list

Johnny Griffin Little Giant ORIGINAL HEAVY VINYL 180 Heavy Gram Sealed LP
	$67.99 Time Remaining: 2h 26m Buy It Now for only: $67.99 Buy It Now \| Add to watch list

SHEFFIELD LAB DON RANDI AND QUEST NEW BABY DIRECT TO DISC BOX SEALED

$75.00
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ART PEPPER Rhythm Section ORIGINAL 180 Gram LIMITED EDITION Factory Sealed LP
	$59.49 Time Remaining: 2h 30m Buy It Now for only: $59.49 Buy It Now \| Add to watch list

Tony Scott Homage to Lord Krishna Remaster CD Mar 2004 Verve SEALED
	$7.99 Time Remaining: 2h 32m Buy It Now for only: $7.99 Buy It Now \| Add to watch list

The John Dentz Reunion Band 56 LP Sealed NEW

$58.00
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MILES DAVIS Miles In The Sky Sealed 180 GRAM COLUMBIA RECORDS Rare LP OOP
	$67.99 Time Remaining: 2h 34m Buy It Now for only: $67.99 Buy It Now \| Add to watch list

Emil Richards Yazz Per Favore cd SEALED
	$31.30 Time Remaining: 2h 36m Buy It Now for only: $31.30 Buy It Now \| Add to watch list

SEALED DAN SIEGEL JAZZ LP ANOTHER TIME ANOTHER PLACE W PAT OHEARN ALEX ACUNA
	$12.99 Time Remaining: 2h 43m Buy It Now for only: $12.99 Buy It Now \| Add to watch list

MILES DAVIS QT 1953 54 LewisRoach++ 180 GRAM Virgin Vinyl Mono LP SEALED

$11.50 (6 Bids)
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SHEFFIELD LAB AMANDA McBROOM LINCOLN MAYORGA WEST OF OZ DIRECT TO DISC SEALED

$55.00
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CHET BAKER Qt 1954 Jazz At ANN ARBOR 180 Gram VIRGIN VINYL LP Factory Sealed

$16.50 (4 Bids)
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SEALED THE COMPLETE ARTIE SHAW VOLUME 1 1938 1939 BIG BAND JAZZ Bluebird LP
	$9.99 Time Remaining: 2h 53m Buy It Now for only: $9.99 Buy It Now \| Add to watch list

CLASSIC RECORDS LOU DONALDSON LOU TAKES OFF 45RPM 180gm SEALED 4LP AUDIOPHILE

$75.00
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Ronald Muldrow Facing Wes SEALED cd
	$4.00 Time Remaining: 2h 58m Buy It Now for only: $4.00 Buy It Now \| Add to watch list

Arthur Fielder Boston Pops Greatest Hits Of The 30s LP RCA Red Seal
	$2.99 Time Remaining: 2h 58m Buy It Now for only: $2.99 Buy It Now \| Add to watch list

CHICK COREA INNER SPACE SEALED CD NEW
	$4.81 Time Remaining: 2h 59m Buy It Now for only: $4.81 Buy It Now \| Add to watch list

MILES DAVIS 1950s PRESTIGE Recordings 180 GRAM Virgin Vinyl 2LP SET FACT SEALED

$14.50 (7 Bids)
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ZDZISAW PIERNIK PIOTR ZABRODZKI Namanga CD NEW Sealed
	$14.49 Time Remaining: 3h 4m Buy It Now for only: $14.49 Buy It Now \| Add to watch list

CHARLES MILLER COUNTRY GIRL ORIG PVT PRESS JAZZ FUNK SPOKEN WORLD LP SEALED

$129.99
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CANDY DULFER Right In My Soul NEW Sealed CD
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SONNY ROLLINS TENOR MADNESS Factory Sealed 45 LP SET LOW D 140 OF THE 1000
	$254.99 Time Remaining: 3h 13m Buy It Now for only: $254.99 Buy It Now \| Add to watch list

NICOLA CONTE LOVE REVOLUTION SEALED CD NEW 2011
	$9.17 Time Remaining: 3h 14m Buy It Now for only: $9.17 Buy It Now \| Add to watch list

MARYILYN OTHER GREAT HITS Ray Anthony CD SEALED
	$7.00 Time Remaining: 3h 14m Buy It Now for only: $7.00 Buy It Now \| Add to watch list

SONNY PHILLIPS My Black Flower MUSE 5118 SEALED LP
	$14.00 Time Remaining: 3h 23m Buy It Now for only: $14.00 Buy It Now \| Add to watch list

Charles Tolliver Paper Man SEALED LP 1975 new Herbie Hancock Gary Bartz
	$18.00 Time Remaining: 3h 27m Buy It Now for only: $24.00 Buy It Now \| Bid now \| Add to watch list

Gordon James Jazz Trumpet IN JOY Sealed
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JULIA MIGENES JOHNSON IN LOVE RCA RED SEAL
	$9.99 Time Remaining: 3h 29m Buy It Now for only: $9.99 Buy It Now \| Add to watch list

Kind of Blue Miles Davis Bill Evans John Coltrane Japan mini lp CD Sealed

$19.49 (2 Bids)
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Ernest Ranglin Alextown CD PALM 2005 NEW SEALED
	$17.39 Time Remaining: 3h 30m Buy It Now for only: $17.39 Buy It Now \| Add to watch list

The Three Sounds Three Moods Limelight 1024 STEREO SEALED
	$19.99 Time Remaining: 3h 32m Buy It Now for only: $19.99 Buy It Now \| Add to watch list

Miles Davis Kind Of Blue Early Columbia Release New Sealed CK40579 Remastered

$3.99 (1 Bid)
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JOHN COLTRANE Sun Ship IMPULSE 180 Gram Sealed LP
	$22.00 Time Remaining: 3h 35m Buy It Now for only: $22.00 Buy It Now \| Add to watch list

DONALD BYRD STREET LADY + 4 MORE VINYL LP SET SEALED
	$48.99 Time Remaining: 3h 42m Buy It Now for only: $48.99 Buy It Now \| Add to watch list

Jazz a la Mexicana RARE Spanish comp 2CD NEW SEALED
	$27.99 Time Remaining: 3h 45m Buy It Now for only: $27.99 Buy It Now \| Add to watch list

BILL EVANS ELOQUENCE SEALED CD NEW
	$7.03 Time Remaining: 3h 47m Buy It Now for only: $7.03 Buy It Now \| Add to watch list

8 TRACK TAPE SEALED JOHNNY HODGES THINGS AINT WHAT THEY USE TO BE JAZZ
	$9.55 Time Remaining: 3h 54m Buy It Now for only: $9.55 Buy It Now \| Add to watch list

PAT METHENY GROUP American Garage Cassette SEALED ECM
	$6.99 Time Remaining: 4h 1m Buy It Now for only: $8.99 Buy It Now \| Bid now \| Add to watch list

ROD STEWART The Great American Songbook Vol4 Cassette SEALED
	$5.99 Time Remaining: 4h 1m Buy It Now for only: $7.99 Buy It Now \| Bid now \| Add to watch list

PAOLO FRESU DEVIL QUARTET STANLEY MUSIC SEALED CD NEW
	$7.65 Time Remaining: 4h 6m Buy It Now for only: $7.65 Buy It Now \| Add to watch list

THE SOPHISTICATES NEVER BEFORE AVAILABLE SEALED LP
	$19.60 Time Remaining: 4h 6m Buy It Now for only: $19.60 Buy It Now \| Add to watch list

HERE COMES SHUGGIE OTIS New Sealed 180 Gram LP Vinyl
	$26.88 Time Remaining: 4h 12m Buy It Now for only: $26.88 Buy It Now \| Add to watch list

MARIANO OTERO CUATRO SEALED CD NEW
	$6.90 Time Remaining: 4h 14m Buy It Now for only: $6.90 Buy It Now \| Add to watch list

Bennie Wallace MOODSVILLE 180g 2LP New Sealed

$48.98
Time Remaining: 4h 17m

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XRCD ALLAN TAYLOR Colour To The Moon JVC Japan CD NEW SEALED

$20.50 (5 Bids)
Time Remaining: 4h 21m

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J Moss Pajam Smooth Jazz Tribute Smooth Jazz All Stars SEALED NEW CD 2007
	$8.59 Time Remaining: 4h 22m Buy It Now for only: $8.59 Buy It Now \| Add to watch list

Stan Kenton Journey Into Capricorn LP SEALED
	$24.99 Time Remaining: 4h 23m Buy It Now for only: $24.99 Buy It Now \| Add to watch list

JOHNNY HATES JAZZ i dont want to be a hero 7 ltd edition posterbag sealed in o
	$11.70 Time Remaining: 4h 28m Buy It Now for only: $11.70 Buy It Now \| Add to watch list

JUNIOR MANCE JOE TEMPERLEY MONK CHIAROSCURO CD SEALED
	$34.99 Time Remaining: 4h 31m Buy It Now for only: $34.99 Buy It Now \| Add to watch list

SEALED 1982 The BEST of the BIG BANDS Vol 8 LP BIX B
	$9.99 Time Remaining: 4h 33m Buy It Now for only: $9.99 Buy It Now \| Add to watch list

JOHN COLTRANE Coltrane NEW Sealed LP Jazz
	$26.09 Time Remaining: 4h 36m Buy It Now for only: $26.09 Buy It Now \| Add to watch list

Arthur Prysock SEALED 60s JAZZ POP VOCAL LP To Love or
	$14.98 Time Remaining: 4h 40m Buy It Now for only: $14.98 Buy It Now \| Add to watch list

MUDDY WATERSMANNISH BOYMIDNITE JAZZ BLUES COLLECTIONCDNEW AND SEALED
	$3.95 Time Remaining: 4h 40m Buy It Now for only: $3.95 Buy It Now \| Add to watch list

various ROOTS OF MODERN JAZZ PARKER DAVIS ETC SEALED LP
	$20.00 Time Remaining: 4h 40m Buy It Now for only: $20.00 Buy It Now \| Add to watch list

STAN KENTON Conducts the L A Neophonic Orch SEALED LP
	$24.99 Time Remaining: 4h 41m Buy It Now for only: $24.99 Buy It Now \| Add to watch list

BLUE MITCHELL Bantu Village Vinyl LP NEW + SEALED
	$18.97 Time Remaining: 4h 41m Buy It Now for only: $18.97 Buy It Now \| Add to watch list

JOE BATAAN Saint Latins Day Massacre NEW Sealed LP
	$25.29 Time Remaining: 4h 42m Buy It Now for only: $25.29 Buy It Now \| Add to watch list

RAHSAAN ROLAND KIRK Bright Moments 2x LP NEW SEALED JAZZ VINYL
	$24.99 Time Remaining: 4h 45m Buy It Now for only: $24.99 Buy It Now \| Add to watch list

Peggy Lee The Essential Peggy Lee CD New Sealed
	$3.13 Time Remaining: 4h 52m Buy It Now for only: $3.13 Buy It Now \| Add to watch list

SEALED 1974 TONY ORLANDO DAWN II LP TV VARIETY STARS
	$9.99 Time Remaining: 4h 53m Buy It Now for only: $9.99 Buy It Now \| Add to watch list

BEAVER HARRIS Negcaumongus RICKY FORD Cadence SEALED LP
	$16.00 Time Remaining: 4h 53m Buy It Now for only: $16.00 Buy It Now \| Add to watch list

Dexter Gordon A Swingin Affair 180g 45rpm Sealed 2LP
	$79.99 Time Remaining: 4h 53m Buy It Now for only: $79.99 Buy It Now \| Add to watch list

ROLAND KIRK I Talk With The Spirits LP NEW SEALED JAZZ VINYL
	$12.99 Time Remaining: 4h 56m Buy It Now for only: $12.99 Buy It Now \| Add to watch list

Archives Of Jazz Vol 4 Lester YoungAgain sealed vinyl LP
	$12.95 Time Remaining: 5h 6m Buy It Now for only: $12.95 Buy It Now \| Add to watch list

HENRY MANCINI Music Of Peter Gunn 180 Gram Sealed LP
	$46.74 Time Remaining: 5h 7m Buy It Now for only: $46.74 Buy It Now \| Add to watch list

George Shearing SEALED JAZZ LP Here and Now MONO USA
	$13.98 Time Remaining: 5h 7m Buy It Now for only: $13.98 Buy It Now \| Add to watch list

George Shearing SEALED JAZZ LP Old Gold and Ivory MONO
	$19.98 Time Remaining: 5h 7m Buy It Now for only: $19.98 Buy It Now \| Add to watch list

SEALED Jazz LP Les Hopper on Churchill Hoopla
	$39.99 Time Remaining: 5h 8m Buy It Now for only: $39.99 Buy It Now \| Add to watch list

SEALED Drum Jazz LP Dom Um Romao on Pablo Hotmosphere
	$60.00 Time Remaining: 5h 8m Buy It Now for only: $60.00 Buy It Now \| Add to watch list

Am I the only 80's music fan here that's wondering about this Japanese toilet brand called TOTO?

For those who don't know TOTO is an American band of awesome musicicans who started in the 70's as session musicians for Steely Dan, Seals and Crofts, Boz Scaggs, Sonny and Cher, and many others. Their music blends pop, rock, soul, funk, progressive rock, hard rock, R&B, and jazz. They won 6 Grammy's in the 1982 with their album "TOTO IV", with hits like "Rosanna" and "Africa" which opened the door for another three hit singles from the same album, and for their help in the writing of Michael Jackson's "Thriller" album with the song "Human Nature" that was later covered in recording by Miles Davis.

OK. TOTO is in my top 3, if not the top, of my favorite 80s bands. I guess this is just a good reminder Y!A is all about information. So what about those toilets? Have you wizzed on a TOTO in any public places lately?

The very first cassette i ever owned was Toto, i was so excited that day. I was about 6... somewhere around there, me, my brother and my dad went into the store to buy a mothers day gift for my Ma.... i threw a tanty because i wanted the Toto album SO BAD! I still love them, me and my best friend catch up every school holidays, we sit around drinking and listening to good old tunes.. she's a Toto fan too : )

Biography soulfully explores the life of jazz patron Nica Rothschild

Nica Rothschild sailed high on the oscillating wave of bebop. She became the unconventional and enigmatic Jazz Baroness and a tabloid scandal when Charlie Parker died in her Fifth Avenue hotel suite. Music historian David Kastin is the first to tell Rothschild’s singular story, and he tells it with commanding expertise, panache and sensitivity.
Signed, Sealed, Delivered - The Teachers' Group - SLHS Jazz Night

Honda Integra

First generation (19861989)

First generation

Production

19851989

Body style(s)

3-door hatchback

5-door hatchback

4-door sedan

Engine(s)

1.5 L EW

1.6 L ZC

Transmission(s)

5-speed manual

4-speed automatic

Wheelbase

3-door: 2,450 mm (96.5 in)

5-door: 2,520 mm (99.2 in)

Length

3-door: 4,285 mm (168.7 in)

5-door4,355 mm (171.5 in)

Width

1,665 mm (65.6 in)

Height

1,290 mm (50.8 in)

Fuel capacity

13.2 US gallons (50.0 L; 11.0 imp gal)

Honda Civic

Honda CR-X

AV, DA1-DA3

This vehicle debuted in America in 1985 as the Honda Quint Integra before going on sale a year later in North America as part of the then-new Acura lineup. Three and five-door hatchback and four-door saloon bodies were available, with a 1.6 L DOHC 16-valve four-cylinder engine powering both. The engine was the vehicle's most publicized feature, as DOHC, multi-valve engines were anything but commonplace in entry-level models at the time. The 5-door hatchback model was also sold in Australia but was rebadged as the Rover 416i.

The Integra was based on the less-sporty Civic, although it featured a small list of key upgrades over its lesser stablemate to help merit a price increase over the CRX Si, which was otherwise the sportiest compact vehicle being offered by Honda/Acura; enlarged 4-wheel disc brakes replaced the small front-disc/rear-drum setup used by the Civic and CRX, suspension calibration was re-worked, better tires were used and a 113 hp DOHC fuel injected 16-valve engine was used in place of the SOHC unit from the CRX Si. Combined with sleeker styling and a nicer interior, buyers were effectively convinced that the Integra was worth the extra money, and nearly 228,000 units were sold during the four year run of the first generation model.

The first generation Integras actually came with two different engines. Although they shared the same engine code (D16A1), there were a few differences. The engine differed in the years 1986 to 1987 and 1988 to 1989. The two engines are commonly called the "Browntop" and "Blacktop" due to the color of their valve covers. The "browntop" came in 1986 and 1987 Integras while the "blacktop" came in 1988 and 1989 models. The improvements in the "blacktop" engine included lighter rods, domed pistons for slightly higher compression, and an electric advance distributor (the "browntop" came with a vacuum advance distributor). The overall gain in performance was about 5 hp (3.7 kW) for 118 hp (88.0 kW).

Honda Integra 5-door hatchback

The original Integra was not without its shortcomings though; despite producing 113 hp (84.3 kW) and featuring a reachable 7,100 rpm redline, the new DOHC engine lacked low-end torque for daily city driving.

Second generation (19891993)

Second generation

Production

19891993

Body style(s)

3-door hatchback

4-door sedan

Engine(s)

1.6 L ZC

1.6 L B16A

1.7 L B17A1

1.8 L B18A1

Transmission(s)

5-speed manual

4-speed automatic

Wheelbase

Hatchback: 2,550 mm (100.4 in)

Sedan: 2,600 mm (102.4 in)

Length

Hatchback: 4,390 mm (172.8 in)

Sedan: 4,485 mm (176.6 in)

Width

1990: 1,712 mm (67.4 in)

199193: 1,715 mm (67.5 in)

Height

1990 Hatchback: 1,325 mm (52.2 in)

1990 Sedan: 1,340 mm (52.8 in)

1991-93 Hatchback: 1,270 mm (50.0 in)

1991-93 Sedan: 1,285 mm (50.6 in)

Fuel capacity

13.2 US gallons (50.0 L; 11.0 imp gal)

Honda Civic

Honda CR-X

Honda CRX Del Sol

Rover 400

DA5-DA9, DB1-DB2

[citation needed]

Honda debuted the second generation Integra in 1989 as a 1990 model, now powered by a new 1.8 L engine (B18A1) making 130 hp (140 hp 1992-1993), giving the model a necessary boost in performance. The three-door hatchback (DA9 chassis code) continued to be available, but the 5-door hatchback was discontinued due to poor market reception and was replaced by a more conventional 4-door sedan body style (DB1 chassis code).

Trim levels for 1990 and 1991 included the RS (base model), LS, LS Special, and a new GS trim level that featured anti-lock brakes, a first for the Integra. The 1991 GS had the option of leather interior.

For 1992, Acura added the GS-R trim level (DB2 chassis code), powered by a variant of the very successful B16A engine, called the B17A1, which was only available in USDM (United States Domestic Market) models. The difference between the B16A and B17A1 is the deck height and compression ratio and its displacement, the B17A1 is a 1678 cc engine. It featured a VTEC system, as found in the then-new NSX, bumping output to 160 hp (119.3 kW) and a 8000 rpm redline. The transmission shared the YS1 code from the base models, but was only slightly taller in gear ratio to the Japanese market S1/J1 transmissions featured on the XSi's B16. Other features exclusive to the GS-R include the charcoal grey cloth interior (leather as a rare option), body-colored trim and front lip, and the third brake light mounted in the spoiler. Sunroof, power everything, and 14-inch 6-spoke aluminum wheels came standard as well.

The 9293 Acura Integra GS-R is the rarest Integra to date because of its B17A engine, low production numbers, and unavailability in the used car market. This model Integra holds its retail value extremely well because of its rarity, reliability, and performance.[citation needed] It is estimated that approximately 1,200 were manufactured in 1992, and around 1,000 in 1993, for a total of around 2,200 ever produced.[contradiction] The 9293 USDM GS-R was available in only three colors: Milano Red, Frost White, and Aztec Green Pearl . Canadian market GS-R's came in Milano Red, Black Flint Metallic, and Aztec Green Pearl.

Other small updates came on to all trim levels in 1992, namely new front and rear bumpers, a new steering wheel, new taillights, new ECU, new camshafts, and chromed interior door handles.

The second generation was the last Integra to be sold without airbags in the United States. Motorized passive seat belts were used instead. Canada and the rest of the world received standard seat belts.

This generation also saw Acura make a bit of a marketing shift. Prior to the 1991 model year, Acura had made a minor point of the supposed understated elegance of minimal exterior badging. Therefore, from the 1986 to 1990 model years, the only external clues to any Integra's identity came at the rear, where badges for "Acura" "Integra", and the trim level appeared. For the 1991 model year however, Acura's "A" caliper logo appeared for the very first time on the front of the hood, as well as between the taillights. Every Integra made since then has had the "A" badges. 262,285 units were sold from 1990 to 1993.

Third generation (19942001)

Third generation

Production

19932001

Body style(s)

3-door hatchback

4-door sedan

Engine(s)

1.6L ZC

1.8L B18B, B18B1

1.8L B18C, B18C1, B18C5

Transmission(s)

5-speed close ratio manual

4-speed automatic (with 2000 rpm torque converter)

Wheelbase

Hatchback: 2,570 mm (101.2 in)

Sedan: 2,620 mm (103.1 in)

Length

Hatchback: 4,380 mm (172.4 in)

1994-2001 Sedan: 4,525 mm (178.1 in)

2000-01 GS-R Hatchback: 4,425 mm (174.2 in)

Width

1,710 mm (67.3 in)

1998-99 Type-R Hatchback: 1,695 mm (66.7 in)

Height

1994-95 Hatchback: 1,290 mm (50.8 in)

1994-96 Sedan: 1,325 mm (52.2 in)

1996-99 Hatchback: 1,335 mm (52.6 in)

1996-2001 Sedan: 1,370 mm (53.9 in)

1998-99 Type-R: 1,320 mm (52.0 in)

Curb weight

2,643 lb (1,199 kg)

Fuel capacity

13.2 US gallons (50.0 L; 11.0 imp gal)

Honda Civic

Honda CR-V

Honda CRX Del Sol

DB6-DB9, DC1-DC2, DC4 (19941997)

Honda debuted the third generation model in 1993 in Japan. Acura followed in 1994. It had an unusual four headlight front end design which was dubbed "bug eyes" by some enthusiasts. Standard power from the B18B engine increased to 142 hp (105.9 kW), and the GS-R received the B18C1 VTEC engine, equipped with a dual-stage intake manifold, ported exhaust manifold and a displacement increase (from the second generation integra) from 1.7 liters to 1.8 liters, bringing power up to 170 hp (126.8 kW).

1996 Acura Integra

In 1998[citation needed], Honda redesigned the Integra after the new Integra Type-R was released. In Japan the redesign had two more conventional looking headlights as the bug eye look had proven unpopular, outside Japan it had a slightly revised version of the four headlight front.

A Type R model was added for the 1995[citation needed] model year in Japan and in 1997 in other markets, powered by a highly tuned, hand-finished variant of the GS-R's engine. That same year the Integra GSR was sold in Japan as the SiR-G. The JDM B18C Spec-R (B18C5 for USDM) equipped Type-R produced 197 hp (146.9 kW). Although it had an impressive rev limit, the Type R was still hampered by some criticism; its maximum torque output of only 133.8 lbft at 7500 rpm meant that the engine would have to be revved high to achieve the best performance.

Type R Trim Level (19972001 excluding 1999)

The Type R was the pinnacle of the Integra line. It had many exclusive features found on no other Integra. This trim of the Integra only came with a 5 speed manual transmission. The interior had red stitching on the arm rest and shift knob for 1998, and after year 2000, faux carbon fiber for cup holders, climate control, cluster bezel, and the shifter plate. The Canadian market received a limited number of vehicles in the final year of production (2001) with the ultra rare red interior which composed of red front and rear seats.

The Type R's B18C5 engine was not merely a tuned version of the GS-R's B18C1. The Type-R's head is a re-worked PR-3 head, with better valves, camshafts, retainers, stiffer valve springs and a red cover. During production, the B16 heads would get a green marker line to signify a 'perfect cast', and these would be the heads put away and later used for Type R engines which would receive a hand port and polish. Molybdenum-coated, high compression pistons and stronger-but-lighter connecting rods strengthened the reciprocating assembly. Extra counter-weights were installed on the crankshaft which altered its vibration modes to enhance durability at high rpm. The intake valves were reshaped with a thinner stem and crown that reduced weight and improved flow. The intake ports were given a minor port and polish. Stiffer valve springs resisted float on more aggressive camshafts. Intake air was now drawn from inside the fender well, for a colder, denser charge. That intake fed a short-runner intake manifold with a larger throttle body for better breathing. An improved stainless steel exhaust collector with more gentle merge angles, a change to a larger, consistent piping diameter, flared internal piping in the muffler allowed easier exit of gases. A re-tuned engine computer also contributed to improved power output, which allowed the Type-R to accelerate from 0 to 60 mph (100 km/h) in 6.2 seconds (as opposed to the GS-R's 7.0).

The transmission gearing used was very similar to that of the civic Si from 19992000, which featured closer gear ratios in second through fifth gears, in order to take advantage of the additional rev range. However, the Type R transmissions featured stronger synchros in all 5 gears. The North American version retained the same 4.4 final drive throughout the Type-R's production run, unlike the Japanese version, which in 1998 changed to a 4.785 final drive along with revised gearing (However the 4th and 5th gear in the 4.785 transmission was from the GSR transmission, which made the ratios for 4th and 5th on the 4.75 nearly identical to the 4th and 5th gear in the 4.4 tranny, resulting in easier cruising at higher speeds). Unlike the other model Integras with a open differential, The Type R came with a torque-sensing limited slip type.

The chassis received enhancements in the form of reinforcements to the rear wheel wells, roof rail, and other key areas. "Performance rods", chassis braces that were bolted in place, were added to the rear trunk wall and sub-frame. The front strut tower bar was replaced with a stronger aluminum piece. Honda marketed a rear strut tower bar as a dealer accessory as well, but it required cutting of the damper mount access panels. Camber rigidity was improved at the rear by increasing wheel bearing span by 10 mm. This rigidity was further improved in 1998 when the smaller upper suspension link was changed from a stamped steel part to a fabricated part with a more rigid bushing. The Type-R's body also received a new functional rear spoiler, body-colored rocker panels and front lip, and 5-bolt hubs with special lightweight Type-R wheels. Under those wheels was a much larger set of disc brakes, front and back. The tires were upgraded to Bridgestone RE010 summer tires.

The Type-R received very aggressive tuning in its suspension settings. All soft rubber bushings were replaced with much stiffer versions, as much as 5.3 times higher in durometer readings. The springs and dampers were much stiffer, with a 10 mm (0.4 in) reduction in ride height. The rear anti-roll bar diameter was initially increased to 22 mm (0.9 in) in diameter, and further enlarged to 23 mm in diameter in 1998. The front anti-roll bar retained the same size, although the end links were changed to a more responsive sealed ball joint as opposed to a rubber bushing on the lesser models. The result was a chassis with very responsive, racetrack-ready handling that ably absorbed mid-corner bumps. Mild oversteer was easy to induce with a lift of the throttle, and during steady-state cornering the car maintained a slight tail-out stance.

The interior was stripped down to reduce weight. The air conditioning system was optional in early models and nearly all the sound-dampening material was eliminated. This provided for a much noisier ride, but since the Type-R was marketed as a race car for the street, most owners didn't mind. The seats were also unique to the Type-R. For the U.S. market, the upholstery was done in Alcantara and mesh, with the bottom cushion made softer than the standard Integras to preserve comfort. The Japanese market cars used Recaro SRII seats slightly smaller variant of the Recaro SRD. This seat is actually heavier than the standard Integra seats.

Integra SJ (EK3)

The IntegraSJ (standing for "Sedan Joyful") was a rebadged Civic Ferio, with modified headlamps and grille similar to the Orthia's and slightly larger rear lights. It was made from 1996 to 2001, and used the 1493 cc D15B engine. Honda's press material of the time indicated that the SJ was intended to provide a "formal sedan" for the Integra range; another reason may have been to sell Ferios using a more upmarket model name, as was the case with the Nissan Laurel Spirit. In Thailand, the Integra SJ was sold as the Isuzu Vertex, last passenger car ever for that market. (This followed Isuzu's practice of selling Honda models as Isuzus which started with the Gemini; while Honda also selling Isuzu's sport utility vehicles in Japan and North America, and pickup truck in Thailand.)

A total of 301,103 Integras were sold from 1994 to 2001.[citation needed]

Fourth generation (20012006)

Fourth generation (DC5)

Also called

Acura RSX

Production

20022006

Body style(s)

3-door hatchback

Engine(s)

2.0L K20A, K20A2 (02-04), K20A3, K20Z1 (05-06)

Transmission(s)

6-speed manual

5-speed manual

5-speed automatic

Wheelbase

2-door: 2,350 mm (92.5 in)

Length

2-door: 172.2 in (4374 mm)

Width

67.9 in (1725 mm)

Height

2002-04: 55.1 in (1400 mm)

2005-06: 54.9 in (1394 mm)

Fuel capacity

13.2 US gal (50 L; 11 imp gal)

DC5 Integra

Main article: Honda Integra DC5

The fourth generation Integra, produced from 2002 on, was renamed the Acura RSX for the United States, Canada and Hong Kong in accordance with Acura's new alphabetical naming scheme. It also had an entirely new engine, the K-series. The Integra came in two models in the United States, the RSX base model, and the RSX-S boasting the K20A2 engine from 2002 to 2004, while the 2005 and 2006 RSX-S came with a K20Z1. The RSX was still sold as a Honda Integra in Japan and Australia, markets where Acura did not exist.

In March 2006, Honda announced that the Integra would be discontinued in June after its final 300 cars were sold, due to the shrinkage of the coupe market. The reaction of the consumers towards the discontinuation, however, forced Honda to extend production until July 2006 and produce 150 more Integras. The Acura RSX was discontinued as well, as the RSX did not fit within the confines of Acura's re-structured market strategy, and that the introduction of the similarly powerful and less expensive 2006 model-year Honda Civic Si was there to fill in the gap left by the RSX. The Civic-based Acura CSX was also produced in Canada.

Awards

The Integra was on Car and Driver magazine's annual Ten Best list six times, in 1987, 1988, and 1994 through 1997. The GS-R model was called out specifically in 1994 and 1995. It made a return on the Ten Best list as the Acura RSX, for 2002 and 2003. The Integra Type-R (DC2) was named as the 'best front-wheel-drive drivers' car ever' by Evo Magazine in 2006.

References

External links

Wikimedia Commons has media related to: Acura Integra

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I am China Suppliers writer, reports some information about canon xl2 3ccd , panasonic cgr s006a.

Chet Baker

admin — Sat, 09 Jul 2011 08:59:35 +0000

Chet Baker

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What tuning was Chet baker's Sax?

Hmmm... Chet Baker was a trumpet player, not a sax player... He did play with Gerry Mulligan who played bari sax in Eb if that's what you mean???

Chet Baker - Almost blue

Bugs Bunny

History

The unnamed, prototype Warner Bros. rabbit

Main article: Evolution of Bugs Bunny

An unnamed rabbit bearing some of the personality, if not physical characteristics of Bugs, first appeared in the cartoon short Porky's Hare Hunt, released on April 30, 1938. Co-directed by Ben Hardaway and an uncredited Cal Dalton (who was responsible for the initial design of the rabbit), this short had a theme almost identical to that of the 1937 cartoon, Porky's Duck Hunt (directed by Tex Avery), which had introduced Daffy Duck. Porky Pig was again cast as a hunter tracking another silly prey who seemed less interested in escape than in driving his pursuer insane; this short replaced the black duck with a small white rabbit. The rabbit introduces himself with the odd expression "Jiggers, fellers", and Mel Blanc gave the rabbit nearly the voice and laugh that he would later use for Woody Woodpecker. This cartoon also features the famous Groucho Marx line that Bugs would use many times: "Of course you know, this means war!" The rabbit developed a following from the audience viewing this cartoon which inspired the Schlesinger staff to further develop the character.

First incarnation of the rabbit debuts in Porky's Hare Hunt (1938)

The rabbit's second appearance came in 1939's Prest-O Change-O, directed by Chuck Jones, where he is the pet rabbit of unseen character Sham-Fu the Magician. Two dogs, fleeing the local dogcatcher, enter his absent master's house. The rabbit harasses them, but is ultimately bested by the bigger of the two dogs.

His third appearance was in another 1939 cartoon, Hare-um Scare-um, directed by Dalton and Hardaway. This short, the first where he was depicted as a gray bunny instead of a white one, is also notable both for the rabbit's first singing role. Charlie Thorson, lead animator on the short, was the first to give the character a name. He had written "Bugs' Bunny" on the model sheet that he drew for Hardaway, implying that he considered the rabbit model sheet to be Hardaway's property. In promotional material for the short (such as a surviving 1939 presskit), the name on the model sheet was altered to become the rabbit's own name: "Bugs" Bunny (quotation marks only used at the very beginning), evidently named in honor of "Bugs" Hardaway.

In Chuck Jones' Elmer's Candid Camera the rabbit first encounters Elmer Fudd. This rabbit has more of a physical resemblance to the present-day Bugs, being taller and having a more similar face. The voice for this rabbit, however, was not similar to the well-known Brooklyn-Bronx accent, but spoke in a rural drawl. In Robert Clampett's 1940 Patient Porky, a similar rabbit appears to trick the audience into thinking that 750 rabbits have been born (however the design is of the earlier white rabbit).

In his later years, Mel Blanc stated that a proposed name was "Happy Rabbit". Ironically, the only time the name "Happy" was used was in reference to Bugs Hardaway. In the cartoon Hare-um Scare-um, the newspaper headline reads, "Happy Hardaway".

Bugs Bunny emerges

The official debut of Bugs Bunny in A Wild Hare (1940)

Bugs' appearance in A Wild Hare, directed by Tex Avery and released on July 27, 1940, is considered the first appearance of both Elmer and Bugs in their fully developed forms. It was in this cartoon that he first emerged from his rabbit hole to ask Elmer Fudd, now a hunter rather than a photographer, "What's up, Doc?" Animation historian Joe Adamson counts A Wild Hare as the first "official" Bugs Bunny short. It is also the first cartoon where Mel Blanc uses a recognizable version of the voice of Bugs that would eventually become the standard.

Bugs' second appearance in Jones' Elmer's Pet Rabbit finally introduced the audience to the name Bugs Bunny, which up until then had only been used among the Termite Terrace employees. However, the rabbit here is absolutely identical to the one in Jones' earlier Elmer's Candid Camera, both visually and vocally. It was also the first short where he received billing under his now-famous name, but the card, "featuring Bugs Bunny", was just slapped on the end of the completed short's opening titles when A Wild Hare proved an unexpected success. He would soon become the most prominent of the Looney Tunes characters as his calm, flippant insouciance endeared him to American audiences during and after World War II.

Bugs would appear in five more shorts during 1941: Tortoise Beats Hare, directed by Tex Avery and featuring the first appearance of Cecil Turtle; Hiawatha's Rabbit Hunt, the first Bugs Bunny short to be directed by Friz Freleng; All This and Rabbit Stew, directed by Avery and featuring a young African-American hunter (based heavily on racial stereotypes) as Bugs' antagonist; The Heckling Hare, the final Bugs short Avery worked on before being fired and leaving for MGM; and Wabbit Twouble, the first Bugs short directed by Robert Clampett. Wabbit Twouble was also the first of five Bugs shorts to feature a chubbier remodel of Elmer Fudd, a short-lived attempt to have Fudd more closely resemble his voice actor, comedian Arthur Q. Bryan.

World War II

By 1942, Bugs had become the number one star of the Merrie Melodies series, which had originally been intended only for one-shot characters in shorts after several early attempts to introduce characters failed under Harman-Ising, but had started introducing newer characters in 1937 under Schlesinger. Bugs' 1942 shorts included Friz Freleng's The Wabbit Who Came to Supper, and the Robert Clampett shorts The Wacky Wabbit and Bugs Bunny Gets the Boid (which introduced Beaky Buzzard). Bugs Bunny Gets the Boid also marks a slight redesign of Bugs, making his front teeth less prominent and his head rounder. The man responsible for this redesign was Robert McKimson, at the time working as an animator under Robert Clampett. The redesign at first was only used in the shorts created by Clampett's production team but in time, it would be adopted by the other directors, with Freleng and Frank Tashlin the first to adopt this design. Upon his own promotion to director, McKimson created yet another version with more slanted eyes, longer teeth and a much larger mouth, which he (and, for the one Bugs Bunny cartoon he directed, Art Davis) used until 1949, when he started using the version he had designed for Clampett. Jones would come up with his own slight modification, and the voice as well would vary mildly between the units.

An alternate version of Bugs used by Robert McKimson and Art Davis between 1946 and 1949.

Other 1942 Bugs shorts included Chuck Jones' Hold the Lion, Please, Freleng's Fresh Hare and The Hare-Brained Hypnotist (which restored Elmer Fudd to his previous size), and Jones' Case of the Missing Hare. He also made cameo appearances in Tex Avery's final Warner Bros. short, Crazy Cruise, and starred in the two-minute United States war bonds commercial film Any Bonds Today.

Bugs was popular during World War II because of his free and easy attitude, and began receiving special star billing in his cartoons by 1943. By that time, Warner Bros. was the most profitable cartoon studio in the United States. Like other cartoon studios, such as Disney and Famous Studios had been doing, Warners put Bugs in opposition to the period's biggest enemies: Adolf Hitler, Benito Mussolini, and the Japanese. The 1944 short Bugs Bunny Nips the Nips features Bugs at odds with a group of Japanese soldiers. This cartoon has since been pulled from distribution due to its racial stereotypes.

Since Bugs' debut in A Wild Hare, he had appeared only in color Merrie Melodie cartoons (making him one of the few recurring characters created for that series in the Leon Schlesinger era prior to the full conversion to color, alongside Elmer's prototype Egghead, Inki, Sniffles, and Elmer himself - who was heard but not seen in the 1942 Looney Tunes cartoon Nutty News, and made his first formal appearance in that series in 1943's To Duck or Not To Duck). While he did make a cameo appearance in the 1943 Porky and Daffy cartoon Porky Pig's Feat marking his only appearance in a black-and-white Looney Tune cartoon, he did not star in a cartoon in the Looney Tunes series until that series made its complete conversion to only color cartoons beginning with 1944 releases. Buckaroo Bugs was Bugs' first cartoon in the Looney Tunes series, and was also the last WB cartoon to credit Leon Schlesinger.

Among his most notable civilian shorts during this period are Bob Clampett's Tortoise Wins by a Hare (the sequel to Tortoise Beats Hare from 1941), A Corny Concerto (a spoof of Disney's Fantasia), Falling Hare, and What's Cookin' Doc?; and Chuck Jones' Superman parody Super-Rabbit, and Freleng's Little Red Riding Rabbit. The 1944 short Bugs Bunny and the Three Bears introduced Jones' The Three Bears characters.

In the cartoon Super-Rabbit, Bugs was seen in the end wearing a USMC dress uniform. As a result, the United States Marine Corps made Bugs an honorary Marine Master Sergeant.

A scene from George Pal's Jasper Goes Hunting (1944).

From 1943-1946, Bugs was the official "mascot" of Kingman Army Air Field, Kingman, Arizona, where thousands of aerial gunners were trained during World War II. Some notable trainees included Clark Gable and Charles Bronson. Bugs also served as the mascot for 530 Squadron of the 380th Bombardment Group, 5th Air Force, USAF, which was attached to the Royal Australian Air Force and operated out of Australia's Northern Territory from 1943 to 1945, flying B-24 Liberator bombers.

In 1944, Bugs Bunny actually made a cameo appearance in Jasper Goes Hunting, a short produced by rival studio Paramount Pictures. In this cameo (animated by Robert McKimson, with Mel Blanc providing the voice), Bugs pops out of a rabbit hole, saying his usual catchphrase; Bugs then says, "I must be in the wrong picture" and then goes back in the hole. He also appeared fleetingly in the 1947 Arthur Davis cartoon The Goofy Gophers.

The post-war era

A scene from Bewitched Bunny (1954)

A slight variation of how the character was drawn in the 1950s can be seen in the frame from Bewitched Bunny (1954). The inner pinkish parts of the ears have been reduced becoming more v-shaped at the top end and the ovalness of the eyes also replaced with a more top v shaped look. His cheeks protrude out more, and body is more compacted, when compared how he was drawn in the 1940s, arising to the distinct look of how he is drawn today.

Since then, Bugs has appeared in numerous cartoon shorts in the Looney Tunes and Merrie Melodies series, making his last appearance in the theatrical cartoons in 1964 with False Hare. He was directed by Friz Freleng, Robert McKimson, Arthur Davis and Chuck Jones and appeared in feature films, including Who Framed Roger Rabbit (which featured the first-ever meeting between Bugs and his box-office rival Mickey Mouse), Space Jam (which co-starred Michael Jordan), and the 2003 movie Looney Tunes: Back in Action.

The Bugs Bunny short Knighty Knight Bugs (1958), in which a medieval Bugs Bunny traded blows with Yosemite Sam and his fire-breathing dragon (which has a cold), won the Academy Award for Best Short Subject: Cartoons of 1958. Three of Chuck Jones' Bugs Bunny shorts--Rabbit Fire, Rabbit Seasoning, and Duck, Rabbit, Duck!--- comprise what is often referred to as the "Duck Season/Rabbit Season" trilogy, and are considered among the director's best works. Jones' 1957 classic, What's Opera, Doc?, features Bugs and Elmer parodying Wagner's Der Ring des Nibelungen, and has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. It was the first cartoon short to receive this honor.

Bugs appeared in the 1957 short Show Biz Bugs with Daffy Duck, which features a controversial finish in which Daffy Duck, in an attempt to wow the (partisan) audience, did a dangerous magical act in which he (in sequence) drank gasoline, swallowed nitroglycerine, gunpowder, and uranium-238 (in a greenish solution), jumped up and down to "shake well", and finally swallowed a match that detonated the whole improbable mixture. That incident caused some TV stations, and in the 1990s the cable network TNT, to edit out the dangerous act, fearing that young kids might try to imitate it.

In the fall of 1960, The Bugs Bunny Show, a television program which packaged many of the post-1948 Warners shorts with newly animated wraparounds, debuted on ABC. The show was originally aired in prime-time. After two seasons, it was moved to reruns on Saturday mornings. The Bugs Bunny Show changed format and exact title frequently (the packaging was completely different, with each short simply presented on its own, title and all, though some clips from the new bridging material was used as filler), but it remained on network television for 40 years.

After the classic cartoon era

When Mel Blanc died in 1989, Jeff Bergman, Joe Alaskey and Billy West became the new voices to Bugs Bunny and the rest of the Looney Tunes, taking turns doing the voices at various times.

Bugs has also made appearances in animated specials for network television, mostly composed of classic cartoons with bridging material added, including How Bugs Bunny Won the West, and The Bugs Bunny Mystery Special. 1980's Bugs Bunny's Busting Out All Over, however, contained no vintage clips and featured the first new Bugs Bunny cartoons in 16 years. It opened with "Portrait Of The Artist As a Young Bunny", which features a flashback of Bugs as a child thwarting a young Elmer Fudd, while its third and closing short was "Spaced Out Bunny", with Bugs being kidnapped by Marvin the Martian to be a playmate for Hugo, an Abominable Snowman-like character (a new Wile E. Coyote and Road Runner short filled out the half hour). Also, there have been various compilation films, including the independently produced Bugs Bunny: Superstar (utilizing the vintage shorts then owned by United Artists), while Warner Bros. assembled The Bugs Bunny/Road Runner Movie, The Looney Looney Looney Bugs Bunny Movie, Daffy Duck's Fantastic Island, Bugs Bunny's 3rd Movie: 1001 Rabbit Tales and Daffy Duck's Quackbusters. He also made guest appearances in episodes of the 1990s television program Tiny Toon Adventures as the principal of Acme Looniversity and the mentor of Babs and Buster Bunny, and would later make occasional guest cameos on spinoffs Taz-Mania, Animaniacs and Histeria!

He appears in the beginning of Gremlins 2: The New Batch, where he tries to ride the opening Warner Bros logo, but is interrupted by Daffy Duck.

Bugs has had several comic book series over the years. Western Publishing had the license for all the Warner Brothers cartoons, and produced Bugs Bunny comics first for Dell Comics, then later for their own Gold Key Comics. Dell published 58 issues and several specials from 1952 to 1962. Gold Key continued for another 133 issues. DC Comics, the sister/subsidiary company of Warner Bros., has published several comics titles since 1994 that Bugs has appeared in. Notable among these was the 2000 four-issue miniseries Superman & Bugs Bunny, written by Mark Evanier and drawn by Joe Staton. This depicted a crossover between DC's superheroes and the Warner cartoon characters.

Bugs Bunny's star on the Hollywood Walk of Fame.

Like Mickey Mouse for The Walt Disney Company, Bugs has served as the mascot for Warner Bros. Studios and its various divisions. He and Mickey are the first cartoon characters to have a star on the Hollywood Walk of Fame.

In the 1988 animated/live action movie Who Framed Roger Rabbit, Bugs is shown as one of the inhabitants of Toontown. However, since the film was being produced by Disney, Warner Bros. would only allow the use of their biggest star if he got an equal amount of screen time as Disney's biggest star, Mickey Mouse. Because of this, both characters are always together in frame when onscreen. They appear in a scene where they are skydiving while Eddie Valiant (Bob Hoskins) has no parachute, so Bugs offers him a "spare" which turns out to be a spare tire. They appear in the end as well, along with all the other toons. For the same reasons, Bugs never calls Mickey by his name, only referring to him as "Doc" (while Mickey calls him "Bugs").

Bugs Bunny came back to the silver screen in Box Office Bunny in 1990. This was the first Bugs Bunny cartoon short since 1964 to be released to theaters, and it was created for the Bugs Bunny 50th anniversary celebration. It was followed in 1991 by (Blooper) Bunny, a short that has gained a cult following among some animation fans for its edgy humor.

Bugs made an appearance in the 1990 drug prevention video Cartoon All-Stars to the Rescue. This special is notable for being the first time that somebody other than Mel Blanc voiced Bugs Bunny and Daffy Duck (they were voiced by Jeff Bergman.)

In 1997, Bugs appeared on a U.S. postage stamp, the first cartoon to be so honored, beating the iconic Mickey Mouse. The stamp is number seven on the list of the ten most popular U.S. stamps, as calculated by the number of stamps purchased but not used. The introduction of Bugs onto a stamp was controversial at the time, as it was seen as a step toward the 'commercialization' of stamp art. The postal service rejected many designs, and went with a postal-themed drawing. Avery Dennison printed the Bugs Bunny stamp sheet, which featured "a special ten-stamp design and was the first self-adhesive souvenir sheet issued by the U.S. Postal Service."

A younger version of Bugs is the main character of Baby Looney Tunes, which debuted on Cartoon Network (United States) in 2002. In the action comedy Loonatics Unleashed, his definite descendant Ace Bunny is the leader of the Loonatics team and seems to have inherited his ancestor's Brooklyn accent and comic wit. Lexi Bunny who is Lola Bunny's confirmed descendant seems to be his second in command and likely love interest. Danger Duck, a descendant of Daffy, has a similar relation with him to that between Bugs and Daffy - envy (jealousy in the extreme case) mixed with a grudging respect.

Bugs has appeared in numerous video games, including the Bugs Bunny's Crazy Castle series, Bugs Bunny Birthday Blowout, Bugs Bunny: Rabbit Rampage and the similar Bugs Bunny in Double Trouble, Looney Tunes B-Ball, Space Jam, Looney Tunes Racing, Looney Tunes: Space Race, Bugs Bunny Lost in Time, and its sequel, Bugs Bunny and Taz Time Busters, and Looney Tunes: Back in Action and the new video game Looney Tunes: Acme Arsenal.

Personality and catchphrases

Bugs has feuded with Elmer Fudd, Yosemite Sam, Marvin the Martian, Beaky Buzzard, Daffy Duck, Tasmanian Devil, Cecil Turtle, Witch Hazel, Rocky and Mugsy, Wile E. Coyote, Count Blood Count, and a host of others. Bugs almost always wins these conflicts, a plot pattern which recurs in Looney Tunes films directed by Chuck Jones. Concerned that viewers would lose sympathy for a protagonist who always won, Jones had the antagonist characters repeatedly attempt to bully, cheat or threaten Bugs who has been minding his own business. He's also been known to break the 4th wall by "communicating" with the audience, either by explaining the situation (ex. "Be with you in a minute folks!"), describing someone to the audience (ex. "Feisty, ain't they?"), etc.

Bugs will usually try to placate the antagonist and avoid conflict, but when an antagonist pushes him too far, Bugs may address the audience and invoke his catchphrase "Of course you realize, this means war!" before he retaliates, and the retaliation will be devastating. This line was taken from Groucho Marx and others in the 1933 film Duck Soup and was also used in the 1935 Marx film A Night at the Opera. Bugs would pay homage to Groucho in other ways, such as occasionally adopting his stooped walk or leering eyebrow-raising (in Hair-Raising Hare, for example) or sometimes with a direct impersonation (as in Slick Hare).

Other directors, such as Friz Freleng, characterized Bugs as altruistic. When Bugs meets other successful characters (such as Cecil Turtle in Tortoise Beats Hare, or, in World War II, the Gremlin of Falling Hare), his overconfidence becomes a disadvantage.

During the 1940s, Bugs was immature and wild, but starting in the 1950s his personality matured and his attitude was less frenetic. It's worth noting, however, that some feel this shift in Bugs's personality marked a significant decline in the quality of his cartoons. Though often shown as highly mischievous and violent, Bugs is never actually malicious, and only acts as such in self-defense against his aggressors; the only cartoon where Bugs ever served as a true villain was Buckaroo Bugs.

Bugs Bunny's nonchalant carrot-chewing standing position, as explained by Chuck Jones, Friz Freleng, and Bob Clampett, originated in a scene in the film It Happened One Night, in which Clark Gable's character leans against a fence, eating carrots rapidly and talking with his mouth full to Claudette Colbert's character. This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny's behavior as satire.

The carrot-chewing scenes are generally followed by Bugs Bunny's most well-known catchphrase, "What's up, Doc?", which was written by director Tex Avery for his first Bugs Bunny short, 1940's A Wild Hare. Avery explained later that it was a common expression in his native Texas and that he did not think much of the phrase. When the short was first screened in theaters, the "What's up, Doc?" scene generated a tremendously positive audience reaction. As a result, the scene became a recurring element in subsequent films and cartoons. The phrase was sometimes modified for a situation. For example, Bugs says "What's up, dogs?" to the antagonists in A Hare Grows in Manhattan, "What's up, Duke?" to the knight in Knight-mare Hare and "What's up, prune-face?" to the aged Elmer in The Old Grey Hare. He might also greet Daffy with "What's up, Duck?" He used one variation, "What's all the hub-bub, bub?" only once, in Falling Hare. Another variation is used in Looney Tunes: Back In Action when he greets a lightsaber-wielding Marvin the Martian- "What's up, Darth?"

Several Chuck Jones shorts in the late 1940s and 1950s depict Bugs travelling via cross-country (and, in some cases, intercontinental) tunnel-digging, ending up in places as varied as Mexico (Bully For Bugs, 1953), the Himalayas (The Abominable Snow Rabbit, 1960) and Antarctica (Frigid Hare, 1949) all because he "shoulda taken that left toin at Albukoikee." He first utters that phrase in Herr Meets Hare (1945), when he emerges in the Black Forest, a cartoon seldom seen today due to its blatantly topical subject matter. When Hermann Gring says to Bugs, "There is no Las Vegas in 'Chermany'" and takes a potshot at Bugs, Bugs dives into his hole and says, "Joimany! Yipe!", as Bugs realizes he's behind enemy lines. The confused response to his "left toin" comment also followed a pattern. For example, when he tunnels into Scotland in 1948's My Bunny Lies Over The Sea, while thinking he's heading for the La Brea Tar Pits in Los Angeles, California, it provides another chance for an ethnic stereotype: "Therrre's no La Brrrea Tarrr Pits in Scotland!" (to which Bugs responds, "Uh...what's up, Mac-doc?"). A couple of late-1950s shorts of this ilk also featured Daffy Duck travelling with Bugs ("Since when is Pismo Beach inside a cave?!").

Bugs Bunny has some similarities to figures from mythology and folklore, such as Br'er Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (for example, he repeatedly uses cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery. One exception to this is the short Hare Brush, in which Elmer Fudd ultimately carries the day at the end; however, critics note that in this short, Elmer and Bugs assume each other's personalitieshrough mental illness and hypnosis, respectivelynd it is only by becoming Bugs that Elmer can win. However Bugs was beaten at his own game. In the short Duck Amuck he torments Daffy Duck as the unseen animator, ending with his line, "Ain't I a stinker?" Bugs feels the same wrath of an unseen animator in the short Rabbit Rampage where he is in turn tormented by Elmer Fudd. At the end of the clip Elmer gleefully exclaims, 'Well, I finally got even with that scwewy wabbit!"

Although it was usually Porky Pig who brought the WB cartoons to a close with his stuttering, "That's all, folks!", Bugs would occasionally appear, bursting through a drum just as Porky did, but munching a carrot and saying in his Bronx-Brooklyn accent, "And dat's de end!"

The name "Bugs" or "Bugsy" as an old-fashioned nickname means "crazy" (or "loopy"). Several famous people from the first half of the twentieth century had that nickname. It is now out of fashion as a nickname, but survives in 1950s-1960s expressions like "you're bugging me", as in "you're driving me crazy".

Bugs wears white gloves which he is only known to remove in Long-Haired Hare. In this episode, Bugs pretends to be the famed conductor Leopold Stokowski and instructs opera star "Giovanni Jones" to sing and to hold a high note. As Giovanni Jones is turning red with the strain, Bugs slips his left hand out of its glove, leaving the glove hovering in the air in order to command Jones to continue to hold the high note. Bugs then nips down to the mail drop to order, and then to receive, a pair of ear muffs. Bugs puts on the ear defenders and then zips back into the amphitheater and reinserts his hand into his glove as singer Jones is writhing on the stage, still holding that same high note).

Bugs Bunny is also a master of disguise: he can wear any disguise that he wants to confuse his enemies: in Bowery Bugs he uses 5 disguises: fakir, gentleman, women, Baker and finally policeman. This ability of disguise makes bugs famous because we can recognize him while at the same time realizing that his enemies are trapped. Bugs has a certain preference for the female disguise: Taz, Elmer Fudd, Yosemite Sam were fooled by this sexy bunny (woman) and in Hare Trimmed, Sam discovers the real face of "Granny"(Bugs disguise) in the church where they attempt to get married.

Rabbit or hare?

The animators throughout Bugs' history have treated the terms rabbit and hare as synonymous. Taxonomically they are not synonymous, being somewhat similar but observably different types of lagomorphs. Hares have much longer ears than rabbits, so Bugs might seem to be of the hare family, and many more of the cartoon titles include the word "hare" rather than "rabbit." Within the cartoons, although the term "hare" comes up sometimes (for example, Bugs drinking "hare tonic" to "stop falling hare" and being doused with "hare restorer" to bring him back from invisibility), Bugs as well as his antagonists most often refer to the character as a "rabbit". The word "bunny" is of no help in answering this question, as it is a synonym for both young hares and young rabbits.

In Nike commercials with Michael Jordan, Bugs had been referred to as "Hare Jordan."

The opening and closing

In the opening of many of the Bugs Bunny cartoons, the Merrie Melodies and Looney Tunes rings contain Bugs Bunny's head after the Warner Bros. shield (generally from 1944 and 1949 onward). Others have Bugs Bunny relaxing on top of the Warner Bros. shield: He chews on his carrot, looks angrily at the camera and pulls down the next logo (Merrie Melodies or Looney Tunes) like a window shade (generally on cartoons between 1945 until early 1949). Then he lifts it back up, to now be seen lying on his own name, which then fades into the title of the specific short. In some other cases, the title card sometimes fades to him, already on his name and chewing his carrot then fade to the name of the short. At the finish of some, Bugs breaks out of a drum (like Porky Pig) and says, "And that's the end".

Voice actors

The following are the many voice actors who have voiced the character Bugs Bunny over the last seventy years:

Mel Blanc voiced the character for 49 years, from Bugs' debut in A Wild Hare (1940) until Blanc's death in 1989. Blanc described the voice as a combination of Bronx and Brooklyn accents; however, Tex Avery claimed that he asked Blanc to give the character not a New York accent per se, but a voice like that of actor Frank McHugh, who frequently appeared in supporting roles in the 1930s and whose voice might be described as New York Irish. In Bugs' second cartoon Elmer's Pet Rabbit, Blanc created a completely new voice for Bugs, which sounded like a Jimmy Stewart impression, but the directors decided the previous voice was better. Though his best-known character was the carrot-chomping rabbit, munching on the carrots interrupted the dialogue. Various substitutes, such as celery, were tried, but none of them sounded like a carrot. So for the sake of expedience, he would munch and then spit the carrot bits into a spittoon rather than swallowing them, and continue with the dialogue. One oft-repeated story, possibly originating from Bugs Bunny: Superstar, is that he was allergic to carrots and had to spit them out to minimize any allergic reaction but his autobiography makes no such claim; in fact, in a 1984 interview with Tim Lawson, co-author of The Magic Behind The Voices: A Who's Who of Cartoon Voice Actors (University Press of Mississippi, 2004), Blanc emphatically denied being allergic to carrots.

Jeff Bergman was the first to have the honor of voicing Bugs (and several other Looney Tunes characters) after Mel Blanc died in 1989. He got the job by impressing Warner Bros. higher-ups with a tape of himself re-creating the voices of several of Blanc's characters, including Bugs Bunny. He had rigged the tape player so that he could use a switch to instantly toggle back and forth between the original recording of Blanc and Bergman's recording of the same lines. Upon doing this, it was almost impossible for the producers to tell which voice was Blanc's and which voice was Bergman; thus his vocal ability was established and his career launched.

Bergman first voiced Bugs during the 1990 Academy Awards and then in Box Office Bunny, a 4-minute Looney Tunes short released in 1990 to commemorate Bugs' fiftieth anniversary. Bergman would next voice Bugs Bunny in the 1991 short (Blooper) Bunny, a Greg Ford-directed cartoon also produced to coincide with Bugs Bunny's fiftieth anniversary. However, the short never received its intended theatrical release and was shelved for years, until Cartoon Network rediscovered it and broadcast it on their channel several years later. (Blooper) Bunny has since garnered a cult following among animation fans for its use of edgy humor. Other works for which Bergman provided Bugs' voice include Invasion of the Bunny Snatchers (an obvious parody of the 1950s sci-fi classic Invasion of the Body Snatchers), Tiny Toon Adventures (a popular television program of the early nineties that featured the classic Looney Tunes characters as mentors to their younger counterparts) in the first season, and Cartoon All-Stars to the Rescue (a television special exposing children to dangers of marijuana). Bergman would continue to do the voice of Bugs Bunny until 1993.

Greg Burson first voiced Bugs in later episodes of Tiny Toon Adventures. He was then given the responsibility of voicing Bugs in 1995's Carrotblanca, a well-received 8-minute Looney Tunes cartoon originally shown in cinemas alongside The Amazing Panda Adventure (US) and The Pebble and the Penguin (non-US); it has since been released on video packaged with older Looney Tunes cartoons and was even included in the special edition DVD release of Casablanca, of which it is both a parody and an homage. Burson next voiced Bugs in the 1996 short From Hare to Eternity; the film is notable for being dedicated to the memory of the then-just deceased Friz Freleng, and for being the final Looney Tunes cartoon that Chuck Jones directed. Greg Burson also provided Bugs' voice in The Bugs and Daffy Show, which ran on Cartoon Network from 1996 to 2003. He died in 2008.

Billy West has been in television since the late 1980s. His first role was for the 1988 revived version of Bob Clampett's Beany and Cecil. West's breakthrough role then came almost immediately, as the voice of Stimpy and later Ren in John Kricfalusi's Ren & Stimpy. West has since been the voice talent for close to 120 different characters, including some of the most iconic animated figures in television history. Perhaps West's most notable film work came in the 1996 movie Space Jam. Starring alongside Michael Jordan, West provided the voice of both Bugs Bunny and Elmer Fudd. West would go on to reprise the roles of Bugs in subsequent Looney Tunes productions, including his cameos on Histeria!, the Kids' WB! promotional spots, and the 2006 Christmas-themed special Bah, Humduck! A Looney Tunes Christmas and the DVD compilations "Reality Check" and "Stranger Than Fiction", along with several Looney Tunes-centric CDs, cartoons, and video games. Billy West is, along with fellow voice artist Joe Alaskey, credited as one of the current successors of Mel Blanc in impersonating the voice of Bugs Bunny.

Joe Alaskey, like Jeff Bergman, is well-known for his ability to successfully impersonate many Looney Tunes characters. In fact, Alaskey voiced Yosemite Sam in Who Framed Roger Rabbit, as original voice actor Mel Blanc had found it too hard on his vocal cords. (This makes Sam one of the few voices created by Blanc to be voiced by someone else during his lifetime.) Joe Alaskey's first performance as Bugs Bunny came in the 2003 feature film Looney Tunes: Back in Action, although he had tested performing the role in a few earlier projects, such as Tweety's High-Flying Adventure. While still best known for providing the voice of Daffy Duck, Alaskey has also gone on to do Bugs' voice in several subsequent productions, including Daffy Duck for President (which was released on The Looney Tunes Golden Collection: Volume 2 and dedicated to then-just deceased Chuck Jones) and several recent video games. Joe Alaskey is, along with fellow voice actor Billy West, credited as one of the current successors of Mel Blanc in impersonating the voice of Bugs Bunny.

Samuel Vincent served as the voice of Bugs in the Cartoon Network TV series Baby Looney Tunes.

Noel Blanc, Mel Blanc's son, voiced Bugs for the Tiny Toons special It's a Wonderful Tiny Toon Christmas Special. The elder Blanc claimed in his later years that Noel substituted for Mel in various cartoon studios, including doing Bugs at Warner Bros., while he was recovering from a near-fatal car wreck. Noel can also be seen doing Bugs' voice with his father in the documentary on the making of the film Who Framed Roger Rabbit. Noel voiced Elmer Fudd in a cut-away scene for the animated TV series Family Guy (in "Stewie Griffin: The Untold Story").

Cameos

Bugs Bunny has had cameo appearances in several cartoons, including one Private SNAFU short. For his appearance in The Goofy Gophers his voice was sped up.

Crazy Cruise (1942)

Porky Pig's Feat (1943) This marks Bugs' only appearance in a black-and-white Looney Tunes short.

Jasper Goes Hunting (1944, for Paramount)

Odor-able Kitty (1945)

The Goofy Gophers (1947)

The Lion's Busy (1950)

Duck Amuck (1953)

Justice League: The New Frontier (2008, as one of the forms of The Martian Manhunter )

International

Bugs Bunny cartoons air in countries outside of the United States. In most cases, the original US cartoons are simply redubbed in the native language and the characters are usually given names more fitting for the country in which they are appearing. For example, in Finland, Bugs Bunny is called Viski Vemmelsri.

Current popularity

In 2002, TV Guide compiled a list of the 50 greatest cartoon characters of all time as part of the magazine's 50th anniversary. Bugs Bunny was given the honor of number 1. In a CNN broadcast on July 31, 2002, a TV Guide editor talked about the group that created the list. The editor also explained why Bugs pulled top billing: "His stock...has never gone down...Bugs is the best example...of the smart-aleck American comic. He not only is a great cartoon character, he's a great comedian. He was written well. He was drawn beautifully. He has thrilled and made many generations laugh. He is tops." Additionally, in Animal Planet's 50 Greatest Movie Animals (2004), Bugs was named #3, behind Mickey Mouse and Toto.

Bugs Bunny's enduring impact on comedic actors also cannot be overestimated. During an interview for Inside the Actors Studio, comedian Dave Chappelle cited Bugs Bunny as one of his earliest influences, praising voice actor Mel Blanc.

According to Time Warner, Bugs Bunny became the current official mascot for Six Flags theme parks beginning with their 45th anniversary.

Awards

Academy Awards

Knighty Knight Bugs (1958)

Academy Award nominations

A Wild Hare (1940)

Hiawatha's Rabbit Hunt (1941)